When traditional blues took a back seat to rock and roll during the early ’60s, its audience waned. Ironically, it took a small but savvy group of English art school students named Clapton, Beck, and Page—and an American named Jimi—hot-rodding the music of the Texas forefathers, along with their Chicago and Mississippi Delta counterparts, to awaken the interest of a new generation of listeners and students. (Fact: All of this month’s subjects have been confirmed Clapton, Beck, Page, and Hendrix fans.) The first wave of Texas-based blues rock was led by Johnny Winter, whose electrifying style integrated the sound of traditional Texas, Chicago, and Delta blues into the flourishing late-’60s psychedelic rock scene. Winters’ phenomenal success, which culminated in a return to a traditional blues format a decade later, opened the door for both heavy blues-rockers like ZZ Top with Billy Gibbons, and updated traditional outfits such as the Fabulous Thunderbirds featuring Jimmie Vaughan. Amazon.com: The Very Best of Albert King (Guitar Recorded Version) (485): Albert King: Books. PDF (tab) and Power Tab. Allows you to.see. Tab played out at any tempo in perfect pitch. Semesters are packaged on CD and include an interactive manual and Power Tab software. BLUES U is really all about the instructors and. Hopkins, Albert King, B.B. King, Freddie King, Mick Taylor, Stevie Ray Vaughan. Johnny Winter put it all in perspective in the March, 1994 issue of GP: “I guess it goes in a circle. You learn stuff from people, and then, if you do it long enough and do it right, people start learning from you. But I don’t like that I’m getting this old! So many of my friends, the people I learned from, aren’t here now. I like having the older guys to look up to. I’d rather be a student than a teacher!” Nearly 20 years later, Winter remains active as one of Texas blues-rock’s elder statesmen and, whether he likes it or not, teachers. ![]() In addition to his sensational style, we’ll examine Billy Gibbons’ inimitable plank-spanking, Jimmie Vaughan’s no-nonsense approach, brother Stevie Ray’s ferocity, and Eric Johnson’s future blues. Take your time and bring these licks to life. First, you’ve gotta. CREATE A SENSATION If you had to distill the essence of Johnny Winter down to a handful of licks, these would certainly rank high on the list. The recurring 4-5-b7-b5-4-b3 (D-E-G-Eb-D-C) triplet-based motif shown in Ex. 1a, which functions equally well over the I, IV, and V chords in any 12-bar A blues (A7, D7, and E7), can be traced back to an ensemble horn riff from T-Bone Walker’s “Everytime,” but I’ll always think of it as a J. Not in English yet? Wait for English links or subscribe! Disclaimer: Although TwoMovies is keeping track of link and provider quality, we can't be fully responsible for everything on the third-party websites. TwoMovies does not host any content on its servers or network! All movie links are submitted by site's users. 100 Feet After spending 7 years in prison for murdering her husband in self defense, Marnie Watson is released and ordered to spend six months under house arrest, only to discover that the house is possessed by the enraged and violent spirit of her dead husband. Free download english movie 100 feet. Watch 100 Feet online, Free movie 100 Feet with English Subtitles. Watch 100 Feet in HD quality online for free. Free watching 100 Feet, download 100 Feet, watch 100 Feet with HD streaming. 100 Feet trailer. Meri Mehbooba status video Pardes movie status video song WhatsApp. Hum To Chale Pardes - Mandakini, Lata Mangeshkar, Hum To Chale Pardes Song. Pardes - Manminder Bassi - Full HD Video Song - New Punjabi Song - Punjabi Songs. Thumb परदेस जानेवाले| Pardes Jane Wale| Hindi Songs. Pardes film mp4 song download. Meri Mehbooba - Pardes (1997) - English Translation. Des Hoyaa Pardes Full Movie. Pardes [1997] Full Movie HD Official [With English Subtitles]. Pardesi (HD) - Mithun Chakraborty| Varsha Usgaonkar - 90's Hit Movie - (With Eng Subtitles). Pardes Jukebox - Full Album Songs| Shahrukh Khan. Hammer-on the second eighth-note in beat one, pull off to the second note of beat two, and then repeat the entire six-note lick on beats three and four. (Tip: Try adapting the motif to straight sixteenth-notes or sixteenth-note triplets.). Winter’s dazzling triplets in bar 1 of Ex. 1d utilize accents in threes for the first half of bar 1 before switching to twos during beats three and four. In Bar 3, we continue accenting in twos and drop the same fingering down to third position, first on the B and G strings, and then on the G and D strings. (Tip: Play it over bars 5-8 in a 12-bar G blues.) Ex. 1e follows suit rhythmically, but uses a different motif that features a rest at the end of every other triplet in bar 1, and adds a quintessential J.W. Turnaround played over cool, chromatic 7th chords. ROCK & ROWWWWWWLL!!! Recalling the Winter of ’73, Ex. 2a depicts a howling low-register I-chord riff in the key of A, the lineage of which can be traced directly back to Lightnin’ Hopkins, one of Winter’s main influences. The first two beats in both measures are identical, and the variations that occur on beats three and four create a nice example of call-and-response phrasing. Recognize those moves on the last two beats of bar 2? That’s right—it’s a cool, low-register variation on Ex. You’ll find several key Winter-isms in Ex. 2b’s two-bar I-chord run, which spotlights a mixture of A blues scale (A, C, D, Eb, E, G) and A Dorian elements (B, the 9, and F#, the 6), and fits snugly into Ex. 2c’s sheet of notes is played over the IV-I (D7-A7) changes in the same groove and can be divided into two discrete phrases. Bars 1 and 2, which utilize a pure A blues scale, are highlighted by Winter’s signature entrance, his ability to turn a simple descending blues scale into a killer line, and yet another rephrasing of the motif from Ex. 1a, while bars 3 and 4 shift to a countrified A pentatonic major run that coincides with the return to the I chord. MAKE A BIG NOISE As the only lead instrument in his little old power trio from Texas, the honorable Reverend Billy F. Gibbons has forged a 40+ year career by fomenting waves of massive riffage designed to fill up airspace and get your blood pumping. 3a shows a ZZ-style hot-rodded version of John Lee Hooker’s classic boogie figure, a staple in the Top’s oeuvre. The riff adheres to the downbeat-followed-by-six-upbeats rule of boogie, but here we’re also decorating the tonic A5 chords on the first beat of bar 1 and the last beat of bar 2 with quarter-bent b3’s (C’s) in the bass. 3b is an arena-rock chugger that injects a pair of sixteenth-notes into an otherwise straight-eighth-note root-b7-root-b7-root-b7-b3-root single-note riff.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |