Youtube is an absolute treasure trove. If you grew up in eighties and had access to Tamil DD programmes, you might remember Rayil Sneham (How does one translate this? Train Love?). Rayil Sneham was a breath of fresh air. About strangers meeting, and becoming friends, without quite becoming lovers. I think the entire series was a flashback of sorts, when a girl – Sahana asks her father about her mother. Basically a man and woman have a chance encounter on a train, and the woman reveals that she’s pregnant. The man and woman decide to live together. Masquerading as a married couple. Actually, I don’t remember if they actually get married. Rayil Sneham was ‘s baby. I enjoy Balachandar’s movies and serials perhaps because they explore relationships and morality, without getting too judgmental, even if a little melodramatic. Tamil Telugu Kannada Malayalam Hindi. Kai Alavu manasu. Kaadal Pagadai. Kasalavu Nesam. Vediyal Puthithu. Marmadesam – 1. Jul 26, 2011 - 4 min - Uploaded by Naarayanan SwaminathanOnly very few title songs in serials are remembered. This song is one such, composed by rajesh. Like, which is probably one of my favourite movies. While in Rayil Sneham, the two individuals live under the same roof and become the best of friends, in Sindhu Bhairavi, two individuals meet and establish an intellectual relationship that becomes physically intimate. A lot of Balachandar’s stories revolve around standards for behaviour in “society”, expectations from people in conventional relationships and the need for intellectual companionship or acknowledgement. The woman plays the. Balachander Serial Sahana Online![]() The Veena becomes a symbol of her conversations with her self in a way. There was this hauntingly beautiful song – Indha Veenaiku Teriyaadu. This Veena doesn’t know). Download roms gba gameboy advance pokemon fire red omega. The lyrics allude to how the Veena and the child within her are unaware of who made them. There is something wonderful to the way the Man enjoys her singing or her music. I wish I could get hold of someone to translate the song in its entirety from Tamil. I am horrible at translations and don’t wish to ruin it for anyone. [] What is it with trains? I romanticize train journeys despite some horrible instances. Despite the presence of loud and tone-deaf antakshari playing kids, dirty loos, aunties littering the compartment and the grouchy faced angsty kid sticking her dirty feet on your berth. But each train journey stands apart like a punctuation mark. Especially when you’re travelling all that way to meet somebody. Anticipation, or a sense of possible disappointment. Or standing by the compartment door in the dead of the night, watching night lights pace by towards the opposite direction. (And yes, on some trains you had the best cutlets from the pantry car ever!). Lovely serial this one seemed to be, till I found most of it online. ![]() I started watching it again and got the same feeling that I get when I see movies with precocious kids mouthing lines unsuitable for their age. Anyways, you have a obstinate 16 year old who wants to get “loves” her boy friend and want to get married only to him. Classic KB “adhigaprasangi thanam”! But lovely music though. Title track by KJY and this song by Chitra, I think. The storyline by itself was very bold. Other than the irritating gal and the heroine who had these big goli gundu eyes, I’d probably watch it on TV today. Liquor license for sale in hackensack nj weather. Nithya: Actually – I don’t remember of Rayil Sneham. Just that I liked the song a lot and it makes me remember certain things. Though I’ve seen Sindhu Bhairavi over and over again. When I did see Balachandar’s Chinnai Thirai – I thought it was overdone to the point of cheesiness sometimes – but compared to the other crap – it’s brilliant. Anantha: Yeah, I guess most of what I remember of the serial is a “memory”. I just remember the plot line rather flimsily. But perhaps it was that constant cross-referencing to music that really felt enduring. Balachandar’s themes tend to be “bolder” but they don’t make obvious social statements like say Visu’s stuff. Maybe that’s what appeals -relationships – in the context of the “real” world etc. Sudha: Enna solla vara? D.n.a: Anantha has quite hit the aani on the head no? Zero: Hijack away! The title song was something like Muthalum Illaathathu, Mudivum illaathathu no? But the serial just had an airy feel to it. Besides, Balachandar usually casts well. Balachander, like much of Tamil literature, lacks depth. Nilu, unna pesa udaradhe thappu! Ne(g)ha: Most of KB’s protagonists are adhigaprasangis!
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